安徒生的《红舞鞋》确实经典，在众多的解读和改编中，有的表现人性贪婪虚荣，有的被看做为梦想献身，有的又象征个人被环境或时代裹挟而无法逃脱。本片似乎都有一点，但在戏中戏的嵌套中，还加进了理想和爱情的冲突、强者对弱者的（情感）操控，更加重了悲剧色彩。当然，本片最值得被铭记的还数中间那段长达17分钟的《红舞鞋》芭蕾舞剧（甚至觉得本片就是为了这一段才拍的）。因为从女主到一众舞台配角在当时都已是著名芭蕾舞演员，所以这段舞蹈的职业水平肯定没得说。但更重要的是，借助电影独特的艺术表现力
There was once a little girl, very nice and very pretty, but so poor that she had to go barefooted all summer. And in winter she had to wear thick wooden shoes that chafed her ankles until they were red, oh, as red as could be.
马留斯·戈尔林新作，转：史上最折腾的译制片——《红菱艳》配音内幕
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