影片中James Baldwin的两段话震撼人心,摘录如下。
When the Israelis pick up guns,’ ‘or the Poles or the Irish or any white man in the world says ‘Give me liberty or give me death,’ the entire white world applauds. When a black man says exactly the same thing, word for word, he is judged a criminal and treated like one and everything possible is done to make an example of this bad nigger so there won’t be any more like him.’
"Remember This House" Raoul Peck envisions the book James Baldwin never finished -a radical narration about race in America, through the lives and assassinations of three of his friends: Martin Luther King Jr., Medgar Evers and Malcolm X. using only the writer's original words[1].
获奖情况
第26届哥谭独立电影奖
最佳纪录片[2]
《我不是你的黑鬼》 拉乌尔·佩克[2]
2017年6月,获得预告片界奥斯卡最佳纪录片预告片奖项。[3]
首先,这是一部毫无内容的片子,无非就像个怨妇一样在重复:“你们400年前歧视我们,你们200年前歧视我们,你们50年前歧视我们,你们现在还歧视我们。什么自诩文明先进,其实你们就是一帮野蛮人!”。拜托,你们这帮黑鬼,能不能稍微动点脑子想想,为什么白人一直歧视你们?他们闲的蛋疼是吗?以歧视你们为乐是吗?你们黑鬼不思进取不说,还不走正道。美国黑人占总人口13%,但50%的犯罪是黑人所为,你这片子里怎么不提这事?一边偷扒盗抢,一边说别人歧视你们。有意思吗?
我这么一说,黑鬼又该说了
This is not the land of the free. It is only very unwillingly and sporadically the home of the brave.
Not everything that is faced can be changed, but nothing can be changed until it is faced.
History is not the past. It is the present. We carry our history with us. We are our history. If we pretend otherwise, we literally are criminals. I attest to this, the world is not white. It never was white. Cannot be white. White is a metaphor for power.
昨天看某个脱口秀时,我看到了一个让人备感不适的表达:“乐观的原因是愚蠢”。当下,我并不知晓自己是否是乐观主义者,对于大多数的社会问题和新闻,我大多站在旁观者的角度。看完本片后,追溯这个问题,有了一点模糊的认知:作为历史上基本一直保持独立文明和间歇性繁荣的中华民族的后代,是永远无法真正理解另一个长期处于苦难和歧视的人种的。我们永远无法想象,自出生起就要面对繁荣理想的社会、与注定低人一等的身份之间产生的巨大割裂,这样成长起来的数代人,会有怎样的想法和情感。
1
“我不是你的黑鬼”要别人尊敬你,首先你得尊敬你自己。
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