艾迪是遊走於撞球界玩世不恭的撞球高手兼老千，自視甚高的艾迪最大目標是在撞球界稱王，首先他要挑戰的便是傳奇人物明尼蘇達胖子，太急於求勝而心浮氣躁的艾迪，終究失敗了。頹喪落魄的他在此時遇見了患有小兒麻痺的奇女子莎拉，兩人在低潮中陷入熱戀，但艾迪一直被撞球界的名利所蒙蔽，仍欲東山再起，殊不知這卻是他即將身陷的另一個危機。
In a nutshell, The Hustler, and its sequel – The Color of Money – twenty-odd years later, are films about the relationships among a talented but immature young man, his love interest, and the seasoned veteran who exploits / trains the young man’s talent.
Of course, this is a serious over-generalization; still, it would be interesting to compare the two films, a quarter of a century apart, not the least because of Paul Newman, who stars in the same role in both films.
What to me was most impressive about The Hustler was the opening. The charismatic Mr. Newman – and boy does he appear so young! – captures the audience effortlessly, with that big and almost childish (but nonetheless potently charming) smile. If I were female I would probably have fallen for Mr. Newman at that instant – and by saying so I am probably already revealing too much of my fondness for this actor.
保罗·纽曼 饰演的最烂的情人。除了做爱和酒精，他和他的女孩儿还能交流什么？他可怜的女朋友，他的女仆，爱着他，扭曲的，病态的，卑微的爱着他。可他眼里只有赢钱和荣耀，赢钱就是荣耀。
虽然是美国电影，但是却是法国新浪潮的风格。这个电影恰恰说明了用心发明和掌握技术和拥有天赋的人是永远拼不过贼和规则的制定者。你再有天赋，也是要受人摆布。你所创造的价值也要让别人抽走一半甚至更多。可是如果没有规则制定者为你保驾护航，你便毫无价值 他们可以轻而易举的拗断你的手指，让你就此报废。识时务者为俊杰，意思是你要懂事认输和低头。
可悲
《江湖浪子》罗伯特·罗森创作，关于那个女人
转载请注明网址: https://www.livechatworks.com/dy/id-53756.html
