看到这个电影居然只有一篇长评，不过上面那人的标题我想起之前写过的一篇妓女与哲学家的文章，结果引起了围攻，那是我第一次见识网络围攻的力量，不过本人挺无所谓的，我挺讨厌一开口什么事都和道德扯的人，就像书金阁寺里那些个虚伪的人一样，人生在世不就是一叶扁舟随波逐流么
不过话说回来，看法国人的电影也是一门课程，最重要的就是对艺术的感觉，细腻而温柔的触觉感
Possibly one of the most obscure Godard films. He focuses on objectivity (thing, me) and subjectivity (I) (as Juliette says: me, myself, and I, all of us./The world is me; I am the world): prostitution turns humans into products; products become the mediatation of human interaction (two women reading the same magazine).
He also focues on the means of exchange: commercial exchange, linguistic exchange and sexual exchange.
Aesthetically speaking, the use of close-ups: close-up of objects (coffee, cigarette) and of women's faces. Also the whispering narrative, which creates a sense of intimacy and requires the audience's full attention.
The word "elle" in the title could refer to Juliette, or the Paris region. But what are the 2 or 3 things still remains a question mark.
戈达尔似乎就没正常的拍过一部片子。他的电影总是随心所欲，满是"实验性"。可以说他的电影并不是我们常规所看的电影。场景很乱，意义不明的几组镜头，反常规的拍摄手法，充斥着戈达尔对电影表达手法的"叛逆"。我不能明确的说出电影讲了什么;是，影片描述了那个时代女性的生活;也是，影片讽刺了资本主义的意识形态与战争;但是影片所要表达的，每一个镜头想要诉说的，我只是能分辨出黑纱后面的影子。但这影子，倒是有某种不可名状的滋味。这滋味不是属于电影的，而是属于生活。
“我略知她一二”Random Thoughts
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