From a philosophical point of view, La Jetee is an existentialist tale of doomed existence, inevitability, and predetermined death. And what better way to express this idea than by using lifeless photographs to tell the story of a life that is only perceived as such? If the main character is trapped in a time loop and sees his death as a child, what reasons does he have to believe he has actually existed?
Lasting 29 minutes, shot in black and white and consisting almost entirely of still photographs – imaginatively blended with dissolves, wipes and fades – this is the bare bones of science fiction. It highlights why we are attracted to SF in the first place: not for bug-eyed aliens or galaxy-hopping spaceships, but for the way in which the form can twist our most cherished versions of reality inside out.
静帧画面脱离了太多动态视频带来的限制，你不会再被轴线牵绊在空间里，你的大脑本身创造了时间的幻觉，它甚至带来诗意，为你留下一种残缺的碎片式的梦的触感，声音在这个时候呈现了错位美，真实和虚幻的界限更加模糊，却丝毫不削减冲击力，你的目光停留在真实的最大化的瞬间，你无需捕捉，只是接受，不断接受。看、听、完善大脑中的时空，克里斯作为创作者，只给你瞬间与瞬间，却被我们自身不断完满化，太接近电影本质的尝试！！
【堤】破碎的画面 破碎的爱
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