看完我最想说的就是,为什么我之前花了那么长的时间看了那么多的肥皂剧(相对于此片)?
为什么不多看一些这样的,让我重新思考人生的片子?
这部片子,听说推出之后并没有得到像《教父》系列三部曲一样的追捧和掌声,相反,
“1979年,科波拉独资拍摄了冒险剧情片《[现代启示录]》。在该片中,他试图用哲学的观点来叙述以战争为代表的暴力如何使人异化的问题。为了拍摄这部影片,他不惜血本,共耗资3600万美元。此片推出后,美国评论界一片死寂,观众们对这部高成本新片也并没有表现出科波拉斯待的热情
以梦幻的笔法雕琢人性的疯狂
《启示录》是圣经《新约》的最后一章,讲述了末日审判的故事,在弗朗西斯.福特.科波拉的《现代启示录》中具有两层含义:一层是柯兹自行对越共进行的审判,一层是威勒德代表美国军方对柯兹进行的审判。然而,就像柯兹说的“你可以杀我,但你不能评价(judge)我。”在《现代启示录》中,价值的判断已经陷入了一种混乱状态,失去了标准的价值判断是没有任何意义的,于是我们最终看到的就是呈现在科波拉镜头下的,整个群体的疯狂。我们为何而战?加谬说:真正的哲学思考等于自杀。所以,要么选择死亡,要么选择疯狂,对于越战,甚至对于所有战争,我们只能给出这样的答案,这并不是一个悲观的回答,因为虽然疯狂不是件好事,它也远不是一件坏事。
《现代启示录》的疯狂几乎延续了整个影片,科波拉从一开始就将影片拉进了一种癫狂。主人公威勒德上下颠倒的头部特写、越南的丛林,呼啸的直升机、爆炸的火焰,甚至最后出现在柯兹创造的审判台旁的巨大石像反复叠化
Although an apparent adaptation of the masterpiece Heart of Darkness by Joseph Conrad, which I feel a little bit retarded to absorb and appreciate after the first raw and ambiguous reading, Apocalypse Now Redux, the masterpiece movie directed by Francis Ford Coppola, bears great significance to, as it seems to me, the masterpiece Winesburg, Ohio written by Sherwood Andersen, which I fortunately read almost simultaneously with Conrad’s abovementioned work as a result of the teachers’ arrangement. A great movie as it is, with its most beautiful picturesque scenes that fascinate any single heart who even detests warfare, Apocalypse Now Redux is set with Willard as the narrator and protagonist instead of Charlie Marlow in the original book, and when questioned by Kurtz the king of the jungle, he said he was from Ohio. At that very moment I associated this boy with the one in Winesburg,
【现代启示录】Judgement defeats us
转载请注明网址: https://www.livechatworks.com/dy/id-20475.html