Mrs. Bigelow is obsessed with obsession. Blue Steel, Point Break, the Hurt Locker, now Zero Dark Thirty. The background of the story changes, the story remains the same. Behind different faces, the same obsessive character. The obsession portrayed in her films actually is quite simplistic and straightforward but anyhow, in our time her "oeuvres" are considered as deep, realistic, and arty. After an adrenaline fix come the inevitable frustration and emptiness of living, Mrs. Bigelow shows it to us over and over again; her hero has a conniving streak in him/her, but a hero nevertheless. She's so focused on her obsessed character, it's easy for her to claim that the Iraq war film she made was apolitical, and ZDT, a political thriller, has no political agenda.
猎杀本·拉登:现实是坚持不懈的长跑
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